PULSE

I’ll be going LIVE TODAY
between 6 PM – 9 PM CST
During my artist talk at G Gallery

Please join me LIVE ONLINE from facebook and instagram during  my artist talk this Thursday February 23rd. I’ll be at the gallery between 6pm and 9pm and will be going live to share some of the talk or/and give a brief virtual tour.

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Pulse

Mixed Media on Canvas

48” x 48”

2016

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The Last Secret Cloud a collaboration w/ Joseph Mark Hanson

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The Last Secret Cloud a 44” x 35” x 4.5” Neon and Mixed Media on Pine
2016

Joseph Mark Hanson and I worked together throughout 2016. The photos were taken at his studio in Phoenix, my studio in Tucson, at Cook and Company Sign Makers in Tucson and finally G Spot Contemporary in Houston, Texas. It will be on view through February 28th. Please join me for an artist talk this Thursday February 23rd. I’ll be at the gallery between 6pm and 9pm and will be going live from facebook and instagram to share some of the talk or/and give a brief virtual tour.

The Gallery located at 310 East 9th Street, 77007, is open Friday – Sunday from 12pm – 5pm and also by appointment.

Evolution 4: Jugle Dogs

NOW SHOWING

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I started painting  Jungle Dogs(Mixed Media on Canvas 36″ x 36″) in Austin in January 2016 and finished it in Tucson in December 2016. It is now showing in Houston.

G SPOT CONTEMPORARY

ARTIST TALK THURSDAY FEBRUARY 23rd 6PM

310 East 9th Street Houston, TX 77007
713.869.4770

12:00-5:00 pm: Friday, Saturday & Sunday / also by appointment

Evolution 2 Plant Life

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Plant Life 24″ x  24″ mixed media on canvas NOW SHOWING at G SPOT CONTEMPORARY

ARTIST TALK THURSDAY FEBRUARY 23rd 6PM

310 East 9th Street Houston, TX 77007
713.869.4770

12:00-5:00 pm: Friday, Saturday & Sunday / also by appointment

G SPOT CONTEMPORARY FEBRUARY 2017

NOW SHOWING IN HOUSTON TEXAS FEBRUARY 2017

The Gallery located at 310 East 9th Street, 77007, is open Friday – Sunday from 12pm – 5pm and also by appointment.

ARTIST TALK FEBRUARY 23rd 6pm – 9pm

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SOLO SHOWING OF NEW WORK AT G SPOT CONTEMPORARY IN HOUSTON TEXAS FEBRUARY 2017

The Gallery located at 310 East 9th Street, 77007, is open Friday – Sunday from 12pm – 5pm and also by appointment.

ARTIST TALK FEBRUARY 23rd 6pm – 9pm

Inquires: Wayne Gilbert 713.822.4842

These paintings, installations, and encaustics convey a colorful world seemingly untouched by the upheavals of ruin, bigotry, evil, violence, and fear, but are, in fact, a penetrating and personal view of this moment in our American life. They assert that, even at this time, the ideals of tenderness and compassion serve as the foundation of a prosperous society.You could say that I want to challenge perceptions, beginning with the idea of a fixed self, gender, body, or ontology, including the perception that delight and tenderness are not part of a discourse of political protest and protection.

With a preference for motes of pure pigment, pencilled lines, metallic, neon, and iridescent color, I’ve developed a personal iconography. By presenting tangibly politicized objects and images in pacific settings— guns, rainbows, clouds, triangles, plant life and male/female reproductive organs— these works skirt the lines of representation and abstraction to create a vantage from which to view violence and prejudice.

I employed lines of graphite and loose constellations of shapes, favoring day-glow and translucent paint. I mixed pure pigments with water or encaustic medium or applied them directly to create celestial compositions of colors. Throughout the year, my work became simplified. I let myself go, scattering handfuls of pleasures across surfaces. It has been liberating to let particles of pigment direct the topography of the resulting work.

I’ve also explored the whimsical possibilities of installations, joining materials from the cultures of construction, craft, and play to create hanging sculptures. These immersive forms reveal the armature of their own making and invite us inside to question our expectations about reality.

I hope that experiencing familiar impulses in new surroundings will educate our emotions and influence a comprehensive reconsideration of how we treat the world, each other, and ourselves.

Cover image: PULSE 36″X36″ mixed media on canvas.

AUTOPOIESES at Cafe Passe January|February 2015

Please join me SATURDAY, FEBRUARY 21 at 8pm for a RECEPTION and WINNERS’ CHOICE RAFFLE. 100% of the proceeds go to benefit CASA LIBRE; raffle tickets are $5. Winners need not be present or may choose a work on display to take home that night.

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Interview by Jane Miller

JM: What is autopoiesis?

VG: Autopoiesis is a scientific term that describes the paradox that, in order for beings to be autonomous, they need to obtain resources from their environment. It plays out in these works metaphorically in the relationship of the pieces to each other, and in the way the viewer interacts with the pieces.

JM: What are the advantages to working in a small format?

VG: I can produce a lot of pieces that I can sell affordably.

The size gives me an opportunity to move back and forth, which inspires new combinations of forms and methods. In this case, I worked with oil paint in the encaustics, and I painted with acrylic, water, polyurethane, and some special mineral pigments from Peru; the look of the pigments, when sprinkled as dust and then wetted, inspired me to use oil paint over the encaustics to create some similar effects.

JM: Do you encourage your encaustic pieces to imitate sculpture?

VG: Definitely. I use sculpting tools when I make them. Pottery tools, dentistry tools, too. Also, many of the encaustic techniques imitate intaglio printmaking – similar to the way one etches lines in a metal plate, I start with a well of encaustic medium and carve the figures into it. Instead of using ink, I use medium in different colors to create an image or story.

JM: Your work seems to use both figurative and abstract elements. Do you see a relationship there, or do you experience those forms separately?

VG: I would call this series abstract symbolism, meaning my figures are less literal and more symbolic – some viewers experience the shapes as human, others as plants, etc.

JM: Your themes are often dark but your color palette is bright. Do you care to comment on that seeming disparity?

VG: I have seen that in other series I’ve done, but in this current body of work even the black, while literally “dark,” has bright, airy figures who are doing things, lively things, together at night. So I would say it is simply night, rather than describe the black backgrounds as emotionally heavy. No one’s alone, everyone’s with someone having a good time.

Café Passé is at 415 N. Fourth Ave. Tucson, AZ 85705

Su-W 8 am – 8 pm
Th-Sa 8 am – 10 pm