Tag Archives: WORKS IN PROGRESS

The Last Secret Cloud a collaboration w/ Joseph Mark Hanson

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The Last Secret Cloud a 44” x 35” x 4.5” Neon and Mixed Media on Pine
2016
Joseph Mark Hanson and I worked together throughout 2016. The photos were taken at his studio in Phoenix, my studio in Tucson, at Cook and Company Sign Makers in Tucson and finally G Spot Contemporary in Houston, Texas. It will be on view through February 28th. Please join me for an artist talk this Thursday February 23rd. I’ll be at the gallery between 6pm and 9pm and will be going live from facebook and instagram to share some of the talk or/and give a brief virtual tour.
The Gallery located at 310 East 9th Street, 77007, is open Friday – Sunday from 12pm – 5pm and also by appointment.

Evolution 4: Jugle Dogs

NOW SHOWING

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I started painting  Jungle Dogs(Mixed Media on Canvas 36″ x 36″) in Austin in January 2016 and finished it in Tucson in December 2016. It is now showing in Houston.

G SPOT CONTEMPORARY

ARTIST TALK THURSDAY FEBRUARY 23rd 6PM

310 East 9th Street Houston, TX 77007
713.869.4770

12:00-5:00 pm: Friday, Saturday & Sunday / also by appointment

LA DREAMING

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FLAGS PROJECT

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With these series of flags I am working w/ Peruvian mineral paints I brought home from the Pisac market in the Sacred Valley. The paper is 140lb watercolor paper from a roll and sheets of Canson printing paper.  I brush the blank paper w/ h2o then sprinkle on the mineral powder and use a squirt bottle to spray the pigments and paper w/ a mixture of Dr. Bronner’s mint soap. Then I use a monoprint-inspired technique by laying another damp sheet on top and rolling a wooden dowel back and forth over the stack. I add and remove strips of painters tape throughout the process as well as a bit of acrylic paint here and there. I also favored a variety of metal scraping tools over brushes to add texture.

FemArts: Art Installations by Women Artists TUCSON

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DON’T SHOOT- 81 garlands made of approximately 3,629.5 feet of fabric and plastics to be hung from the ceiling of THE STEINFELD WAREHOUSE for FemArts: Art Installations by Women Artists Hosted by Dinnerware Artspace. A panel discussion will be held to talk about our process and experiences as a group and as individual artists, date tba.

TUCSON FOOD TRUCK ROUNDUP WILL BE THERE.

DON’T SHOOT work in progress for FemArts: Art Installations by Women Artists Hosted by Dinnerware Artspace

NOVEMBER 2014!

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SHOWING AT THE STEINFELD WAREHOUSE

Julia ‘Jai’ Miller
Ruth Hillman
Autumn Bree
Elizabeth Burden
Marie Closeness DeGain
Traci Miller
Shannon Stephens
Susan Kay Johnson
Moira Geoffrion/Shirley Wagner
E Burke
Alesha Fiandaca
Kate McHugh
Valyntina Grenier
Natlie Brewster Nguyen
Liz Weibler
Bridgitte Blanton Thum

http://dinnerwareartspace.blogspot.com/

ALSO, TUCSON FOOD TRUCK ROUNDUP WILL BE THERE ON THE 15TH SO COME HUNGRY!

CLOUDSHOW / UTOPIA by Valyntina Grenier

CLOUDSHOW / UTOPIA will be showing AUGUST 15 – SEPTEMBER 15 at BENTLEY’S 1730 EAST SPEEDWAY  85719. Bentley’s is open M-Sa 7am to 5pm and  Su 8am to 4pm.

I’ll be having a RECEPTION SATURDAY AUGUST 17th 4 – 5:30pm, come by for a glass of Lemonaid.

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To view a portfolio of individual pieces go to valyntinagrenier.com.

Antony and the Johnsons’ exquisitely painful song, Another World[1], conveys a desperate love for what’s here, confounded by the knowledge that it and we are ephemeral.  The guiding principle for CLOUDSHOW / UTOPIA[2] is to make ANOTHER WORLD and discover PEACE ON OTHER PLANETS. Because we hurt nature, each other, and ourselves, I set out to create my utopia as a place unpeopled, a place of clouds, rainbows, and waterfalls without us there to screw everything up.

No sooner had I begun serious thought about utopia, than I began to kick people out of it. I’d been thinking a lot about John William Waterhouse’s painting Ividia[3]; in Latin, invidia is the sense of envy, from invidere, “to look against, to look at in a hostile manner.” Envy for or from others drives us to solitude. I recalled the noir film LE SAMOURÏ[4] and reacquainted myself w/ its opening text,  “There is no greater solitude than that of the samurai unless it is that of the tiger in the jungle… Perhaps…” — Bushido[5]

There are TRACES OF FORCES that guide us to each other and to ourselves. My work for CLOUDSHOW / UTOPIA actually began with a previous show inspired by The Divine Comedy[6], in particular by Michael Mazur’s[7] monotype illustration for Canto XI, a map of Dante’s hell, which, if rotated, reads as a rainbow.  In my painting, Nine Circles Make A Rainbow and a Target[8], a pink arc with red road markers represents the seventh circle, in which Dante houses those who commit sins of violence.

THE ROAD TO NOWHERE[9] begins and ends within us. Though we do harm, we do love.  We are kind.  And we’re here for the near and somewhat distant future at least. Challenging myself to make objects without the presence of humanity didn’t come to fruition.

Accidents happen; it is a part of my practice to embrace them.  When pouring the base for CLOUDS WHISPER TO THE MARTYRS OF AN END TO ALL WARS in a 115-degree garage, the dam broke.  A few pounds of 400-degree beeswax and damar began to cascade across my worktable and fall to the floor. I quickly placed supports around the edges of the frame to save as much medium as possible. I added more medium, and pulled out my hot air gun to direct and re-melt the cooling surface. Despite my efforts, it began to harden unevenly. I walked away.

I returned to discover that the profile of a woman’s face had hardened into the “misshapen” surface. I decided to carve the minimalist symbol, seen in TRACES OF FORCES,[10] as I had initially planned, and also to define the woman’s profile.  I filled in the rest of the uneven surfaces w/ clouds, sky, and foreground. It was not until the piece was completed that some friends pointed out the optical illusion of a man’s profile tracing the woman’s profile.  It’s a paradox – I set out to create a world free from people and behavior, yet I can’t help but make human faces embracing.

I desire connection and celebration, too. I want to go to a CLOUD PARTY AT THE RAINBOW[11]. I want to KEEP DANCING[12].  Music is an integral element of my practice. I like to dance while I’m working. I chose Jay-Z’s Heaven[13] to start my playlist– I like to choose a certain song, then hit shuffle. 

Reading, research, and other visual arts are integral to my process as well. They are my escape from actual making, but also my inspiration to get back to paintbrushes or sculpting tools.  Inspiration for a series also comes from my collection of art postcards. For CLOUDSHOW / UTOPIA, I was inspired by one of King Tut’s inlaid pieces of jewelry and a drinking cup, Victor Pasmore’s The Green Earth[14], David Smith’s Voltri VII[15],  Miro’s Bleu II[16],   Howard Hodgkin’s Lovers[18],  Kandinsky’s Painting with Three Spots[19] and Calder’s circus[17].

I had the opportunity to visit California in the midst of production. I took with me Hundertwasser’s Complete Graphic Work 1951-1976[20], an exquisite, pocket-sized catalogue produced by Joram Harel in Vienna, 2008.  At the LACMA, we saw Matisse’s large-scale ceramic La Gerbe[21], Hans Richter: Encounters[23] (Richter was involved w/ the utopian groups Die Brücke  and Der Blaue Reiter) and Chris Burden’s Metropolis II[22].   I brought home a copy of Timothy Benson’s Expressionist Utopias[24] and was surprised to rediscover that the guiding principle behind the many utopian movements is the desire to make a better community, which creates the innocence of a Garden of Eden or the complexity of an architectural fantasy. For the Glashaus utopians, a CRYSTAL CATHEDRAL is the center of their architectural ideal.

My cathedral is the rainbow, a WATERHOUSE. My utopia is a community of works that CIPHER THE COSMOS for SYMBOLS THAT BELONG ON THE ALTAR OF A FUTURE SPIRITUAL ONTOLOGY[25].

KEEP DANCING +V


[1] http://www.youtube.com/watch?v=5qkfAc_6dv0  Thank you, Sara Mumolo, for introducing me to the song

[2] My use of all caps indicates a title, either of the show or a painting in it

[5] The quote atriibuted to Bushido was invented by Le Samourï director Jean-Pierre  Melville http://www.frontlip.eu/2013/03/cal-smyth-crime-film-double-bill-point-blank-and-le-samourai/

[9] The word utopia was coined in Greek by Sir Thomas More; it comes from the Greek: οὐ (“not”) and τόπος (“place”) and means “no place”  http://en.wikipedia.org/wiki/Utopia

[10] From Timothy O. Benson’s Essay, “Fantasy and Functionality: The Fate of Utopia,” “artists around 1900 hoped to find in nature signatures or traces of forces that might reshape the world for the betterment of humanity”

[11] I worked at The Rainbow Bar and Grill in my early 20’s

[12] The title KEEP DANCING comes from Arcade Fire’s song “My Body is a Cage” (in particular, the lyric “My body is a cage that keeps me from dancing with the one I love”)  http://www.youtube.com/watch?v=nhhZdune_5Q

[25] From Timothy O. Benson’s Essay, “Fantasy and Functionality: The Fate of Utopia,” the goal of the Munich Blaue Reiter (founded by Kandinsky and Franz Marc) according to Marc was “to create out of their work symbols of their own time, symbols that belong on the altar of a future spiritual religion”